Still in love with Mankind’s exit theme (and exit themes in general), as well as his overall character. He’s called Mankind, right? And he’s self-destructive, a little hard on himself and unforgiving at times, but he’s tough, you know? Like, um, mankind. Humankind. Brilliant shit. Far and away the most intricate and layered of Foley’s three faces. Unless there was some bizarro Communist agenda behind Dude Love or something.